Djelloul Marbrook

Literary, cultural and political dialogue
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See and hear Far From Algiers poems, interview on Facebook                  Hear Djelloul read and talk about poetry at fishousepoems.org                Brushstrokes and Glances, poems about paintings, painters and museums, will be published by Deerbrook Editions later this year             Far From Algiers wins International Book Award              New web site—djelloulmarbrook/books.com—will be launched soon. It will feature Djelloul's essays about Admired Contemporaries and reviews and comments about his own work.              Prakash Books of India will publish Djelloul's short novel, Artemisia's Wolf, soon—check here for alerts              Read The Modernists of Al Andalus, Djelloul's essay about medieval Andalusian poets in The Istanbul Literary Review              Look for Djelloul's essays about Admired Contemporaries— Barbarba Louise • Stuart Bartow • Patricia Carlin • Maggie Anderson • Toi Derricotte • David Hassler • Valerie Rouzeau • Tony Barnstone • Brian Turner • Joan I. Siegel • Will Nixon • Ravi Shankar • Deborah Poe • Brenda Shaughnessy•Michael Roy Meyerhofer•Eliot Kahlil Wilson•Charles Wright•Tupac Shakur•Huddy Ledbetter•Martina Reisz Newberry                                                                                                               

Here’s to you, whoever you are

Speech is for the convenience of those who are hard of hearing.

—Henry David Thoreau

One of the many blessings of growing old is a certain integrity of smile. There is an instant of delay between cause and effect in which we’re invited to wonder if an elderly person is going to smile at all. I admire this inordinately. The sheer amount of electrical energy required of the young to smile all too often and laugh all too loudly is appalling.

I suppose it’s rooted in desire to please, a disease which handles the elderly more gently than it does the rest of us.

It’s not that their facial muscles and nerves are failing them; the elderly simply allow themselves the luxury of pondering whether something is funny or whether they like someone enough to smile. Neurologists and other experts might disagree, but I think the elderly have a lot to teach us in this department.

Canned laughter and exhibitionism may have their uses in a consumerist society, but the elderly don’t provide much of a market for them.

When I was a young reporter I often thought I could disarm interviewees with charm. I can’t remember how many times I was brought up short when an elderly person just looked into my eyes, trying to decide if I was worth the interview, and here I thought I was in charge. I learned over time to have more respect, and I then I got better interviews.

Indeed, when it came to reporting small town America I soon learned that if I wanted to understand anything I’d better start sitting on park benches and hanging out at the drug or hardware store. The young had a lot to say but not much light to shed. I had entirely too much to say, and learning how to be a good reporter was largely learning how to keep my mouth shut.

Nobody ever told me I smiled too much or tried too hard to please, but getting to know myself pretty much coincided with my old age. I found I wasn’t by nature the person I had been trying to be. I was, in fact, austere and even a bit severe. It seemed a little scary to meet this more forbidding guy so late in life, and I think that’s what I’m talking about in the elderly. They’ve met themselves.—DM

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