Djelloul Marbrook

Literary, cultural and political dialogue
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See and hear Far From Algiers poems, interview on Facebook                  Hear Djelloul read and talk about poetry at fishousepoems.org                Brushstrokes and Glances, poems about paintings, painters and museums, will be published by Deerbrook Editions later this year             Far From Algiers wins International Book Award              A new web site devoted to Djelloul's books and essays about the work of admired contemporaries has been launched djelloulmarbrook-books.com                          Prakash Books of India will publish Djelloul's short novel, Artemisia's Wolf, soon—check here for alerts              Read The Modernists of Al Andalus, Djelloul's essay about medieval Andalusian poets in The Istanbul Literary Review              Look for Djelloul's essays about Admired Contemporaries— Barbarba Louise Ungar • Stuart Bartow • Patricia Carlin • Maggie Anderson • Toi Derricotte • David Hassler • Valerie Rouzeau • Tony Barnstone • Brian Turner • Joan I. Siegel • Will Nixon • Ravi Shankar • Deborah Poe • Brenda Shaughnessy • Michael Roy Meyerhofer • Eliot Khalil Wilson • Charles Wright • Tupac Shakur • Huddy Ledbetter • Martina Reisz Newberry • F. Daniel Rzicznek              Look for Djelloul's short story, Yo Sheherazade, and his poem, Bowl of Petals, in soon-to-be- published Issue No. 152 of Orbis, the British literary magazine            &nbs Visit the Far From Algiers fan page on Facebookp                                                                                                  

The way we do things

The way we do things tells us a lot about ourselves.

I open envelopes by trying to pry the flap away from its glue. Failing that, I’m apt to insert a letter knife into a corner and slit open the top. But some people carefully tear off an end and pull the letter out the side. That seems to be the preferred movie way.

Of course, nowadays just about the only thing we get in envelopes are bills and gambits to draw us deeper into debt.

My way of opening an envelope by trying to restore it to its pre-glue estate seems to me related to my compulsion to undo what has been been done, revise history, fix things that don’t want to be fixed, restore some kind of natural order that never existed in the first place.

Truth is I dislike mail and telephone calls. I tolerate e-mail because I use the computer to engage my mind with other concerns in other areas. One of my great pleasures is consigning mail catalogues to one of those services that tells retailers you don’t want their mail.

That’s right, I don’t want you killing any more trees to tempt me to buy what I don’t need.  I’m tempted to say to you what my stepfather used to say to priests who came to the door collecting for one thing or another: Why don’t you get a real job?

I don’t know what to say about people who tear off the ends of envelopes. They seem to be British. I like the gesture, and I don’t know why I never think to do it.  Slipping a letter out of the side of an envelope strikes me as eminently more civilized than pulling it out of the top of an envelope. I’ve always aspired to be more civilized than I am, just as I’ve always aspired to grow up before I die. I think it’s a forlorn hope.

People who pull letters out of the side of an envelope seem to me to be less at the mercy of the contents. They seem to have established a distance between themselves and the letter, whereas my method is rather like gulping poison. I know this letter is going to be harmful, but, like Socrates, I’m going to drink it down because I don’t want to give the bastards any satisfaction. They may kill me, but they’re not going to hear me recant.—DM

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