Djelloul Marbrook

Literary, cultural and political dialogue
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See and hear Far From Algiers poems, interview on Facebook                  Hear Djelloul read and talk about poetry at fishousepoems.org                Brushstrokes and Glances, poems about paintings, painters and museums, will be published by Deerbrook Editions later this year             Far From Algiers wins International Book Award              A new web site devoted to Djelloul's books and essays about the work of admired contemporaries has been launched djelloulmarbrook-books.com                          Prakash Books of India will publish Djelloul's short novel, Artemisia's Wolf, soon—check here for alerts              Read The Modernists of Al Andalus, Djelloul's essay about medieval Andalusian poets in The Istanbul Literary Review              Look for Djelloul's essays about Admired Contemporaries— Barbarba Louise Ungar • Stuart Bartow • Patricia Carlin • Maggie Anderson • Toi Derricotte • David Hassler • Valerie Rouzeau • Tony Barnstone • Brian Turner • Joan I. Siegel • Will Nixon • Ravi Shankar • Deborah Poe • Brenda Shaughnessy • Michael Roy Meyerhofer • Eliot Khalil Wilson • Charles Wright • Tupac Shakur • Huddy Ledbetter • Martina Reisz Newberry • F. Daniel Rzicznek              Look for Djelloul's short story, Yo Sheherazade, and his poem, Bowl of Petals, in soon-to-be- published Issue No. 152 of Orbis, the British literary magazine            &nbs Visit the Far From Algiers fan page on Facebookp                                                                                                  

This overheated Manichean culture

In a Manichean society like ours it’s perhaps inevitable that we would pay more attention to the tone and demeanor of language than its content. This being so, we would seem doomed to be jerked around instead of enlightened.

I think this may account for the popularity of hate radio and television—that cheap sop chucked at us by irresponsible media bosses instead of financing real

Poster, Triumph of the Will

Poster, Triumph of the Will

journalism. There is a great deal of random, loose anger in the land because we know our taxes aren’t giving us good government while lobbyists’ money is buying vested interests exactly what they want.

So anyone who seems as certain about things as the hate radio and TV hosts and political ideologues stokes our anger, while people who try to shed light on matters strike us as wishy-washy. In such a black-and -white environment choices always seem stark, and belligerence wins out over common sense and thoughtfulness.

What we remember about George W. Bush and what Dick Cheney reminds us of is that they seemed certain about everything, and the more truculent they sounded the better we liked it. We listened to the tone and demeanor of their words, not their content or context. We listened to them as Iranians listen to Mahmoud Ahmadinejad, as Germans once listened to Adolph Hitler. Did they sound good! To be reminded, watch Leni Riefenstahl’s Triumph of the Will; you’d think Hitler was a sweetheart.

We are perhaps peculiarly susceptible to Manicheanism—seeing all life as a struggle between the forces of good and evil—because of our Puritan roots. But we have other roots, not least our Native American roots and those of our millions of immigrants. So we should be as wary of Manichean thinking as we should be of conducting our affairs as if our heritage were exclusively Northern European. And we should be as wary of the prophet Manes as the god Mammon, but instead we have embraced both while at the same time subscribing to platitudes about values.

Words do not convey meanings alone. They’re freighted with emotion. When we find our politicians making war on everything—drugs, terrorists, crime, etc—we should suspect they have chosen jerk-the-dummies-around words, simple-minded words that prey on our fears and our prejudices—lynch-mob words instead of making-a-case-to-the-jury words.

If we are going to entertain the notion that filmmakers are responsible for not encouraging violence we should at least be willing to entertain the notion that Big Media should take care not to incite prejudice and encourage ignorance. And that raises indispensable questions about capitalism itself. Is it free to cheat us, to wrest usurious interest rates and fees from us, to lend money under predatory terms, to lie to shareholders, to swindle investors?

And if capitalism is not free to pick our pockets and devastate the economy for the benefit of the few, who says so, and who is supposed to do something about it? Not the government, say conservatives, because that would be socialism. Whoo-hoo! Then who? Self-regulating crooks? Yeah, that works. We have a large and growing predator class and a shrinking middle class, and we need to examine every cause for this, a task Big Media is not up to. Whenever we think about the disappearing middle class we should consider that what has replaced it is a growing predator class.

Hate radio and TV is inextricable from these larger questions, because it’s an aspect of a corporate America that refuses to take responsibility for sustaining the kind of moderate, equable cultural environment in which democracy may thrive. Instead it is creating and feeding a hotted-up media environment that pretends to entertain and enlighten us but actually inflames and sickens us—the prerequisite for authoritarian government and strongmen.

When we listen to the cocksure talk show hosts we should picture Benito Mussolini strutting on his balcony, adoring masses tirelessly saluting Der Fuhrer, and we should remember how easy it was for them to come to power—they seized the media—and what happened afterward.—DM


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